DAY 3, I THINK

The next step as shown in this picture was to lay the fashion fabric right side up on lining fabric, pin and then cut large chunks around the shape of the jacket pieces. And then the fun started, we stitched the lining to the fabric by stitching lines one inch apart from top to bottom of each piece. Long thread tails were left on the top and bottom of each stitching line and later they would be pulled between the layers and tied.

DAY 2

On our scond day we pinned the muslin pattern to the fashion fabric and cut but not in the usual way. Remember the seam allowances have all been trimmed away from the muslin so we cut around the pattern leaving at least two inches of fabric on every side. This basically ended up being large rectangle of fabric with the muslin pinned on the right side. The next step was to hand baste using contrasting thread all around each pattern piece. This resulted in a basting thread marking all stiching lines on each piece. No piece was recognizable shape. This is thw amazing part-- this took 9 hours and then some. I had to take 3 pieces back to the hotel and finish basting.

FRENCH JACKET DAY 1

I arrived in St Louis Monday morning about 10 am. Our first task was to have Susan check the fit of our muslins which would later become the pattern. I knew I had a slight problem in the back thanks to the previous picture. This was corrected by adding a center back seam. This was the perfect adjustment for my curvy backside and I will use this trick again. Some jackets had center back seams others did not depending on curve or flatness of the back. Susan also thought I needed more shaping to the jacket and really nipped in the waist and made the armsyce smaller and higher for tighter fit in the sleeve. This proved to be a problem and when I got home I ended up taking my sleeves out because they were too tight! There were a few other slight ajustments that ended up making a big difference in the overall fit. It was easy to tell that Susan has done this many times and had a very good eye for all details of the fit. We then marked all the adjustments on the muslin with tracing paper and cut the 1" seam allowances off the muslin. The muslin pattern pieces looked so small now and it was strange to see a pattern piece without a seam allowance. Couture relies on stitching lines instead of cutting lines and I loved this way of doing it. It was much more accurate and of course more labor intensive but worth every minute spent.

PARIS REVISITED

My trip to Paris last November was my third visit to this exciting and wonderful city of lights but in many ways last year was the trip of a lifetime for me. Oh, I'm sure I'll go back to Paris someday but no two things are ever the same- you can't recreate the past and would you want to if you could? Last year's trip will always be special because it focused on my passion for textiles, fashion and shopping and what better place than Paris to indulge this particular passion. One of my purchases was an exquisite piece of authentic Chanel wool boucle for a Chanel style jacket. An added benefit was that everyone else on the trip shared the same interests and I meet new friend, Kate. We have stayed in touch via email and she is the one that inspired me to start blogging and to blog about the culmination of the Paris adventure.

Next month I am going to St Louis for a week to take a class and make my jacket. The teacher is Susan Khalje, author, host of Sew Perfect and the creator and tour guide for the Paris trip. So at Kate's suggestion this is the story of my jacket.

The jacket fabric has a soft pink yarn and a black metallic silver thread running through the black wool. The lining fabric is ia a silk print and the yarns will possibly be the trim.

The first step in the process was to create a muslin according to Susan's very specific instructions. The muslin will become the pattern so it is important that the fit be established and perfect before the fabric is cut. Thanks to the flat pattern class I took with Debra McDowell I was able to draft my own pattern and have a much better fit than it possible with a commercial pattern. The finished muslin looks perfect from the front but the photo of the back reveals a problem I was not aware of until I saw this picture. The wrinkles across the back suggest that I need to straigthen out the lines of the jacket for a boxier cut. So it is back to the sewing room for one more alteration.

WHOSE FEET ARE THOSE?

Judging from this picture it won't be long before I have to give her those shoes I promised.

WILL SHE REMEMBER

how much she loved to come over and play in my closet, try on my shoes and hats and admire herself in the full length mirror? I hope she will remember, I know I will! One day she asked if she could have a certain pair of shoes when her feet were bigger. I told her yes and that she could probably have it all. She said, "well, you can't give me this house." I told her that I could if I wanted to. And she responded, "then I'll miss you 'cause you'll be dead." Then, the smart girl that she is, she said she'd rather have me!

TWENTY NINE YEARS

No, I'm not 29 years old but on August 25th Jim and I celebrated our 29th anniversary. We had a quiet evening at home without any big fanfare. I believe two things about special occassions. I may be high maintenance when it comes to facials, pedicures and massages but I am very low maintenance on birthdays and anniversarys. I don't want waste money on cards or flowers. Infact, instead of buying each other cards we often go to Wal Mart and just read the cards there and save the $5.00 That started out as a joke but we thought it was fun so we continue. And secondly, I don't want to celebrate important life events just one day a year but rather celebrate
everyday. Jim was sweet, he said he would marry me all over again. And of course I would marry him again with perhaps a few minor contract changes. Seriously, he is a sweetheart and I did good with this one!